English 11: American Voices, Identity & Public Memory — Parent teaching plan · 36 weeks

Students study the chapter and unit lessons. Parents use this 36-week timetable to assign units, sustained reading, writing, and assessments. Adjust pacing after checking understanding.

Open chapter and unit lessons

Week 1 · Public memory and an independent baseline

Chapter 1 · Close Reading & Literary Analysis

Reading and assignments

Read The Name on the Program and From Records to Reasons; begin a daily 20–30-minute independent reading routine.

Week 2 · Identity, selection and narrative perspective

Chapter 1 · Close Reading & Literary Analysis

Reading and assignments

Reread the story and perform Representative with two defensible deliveries.

Week 3 · Movements, poetic voice and source framing

Chapter 1 · Close Reading & Literary Analysis

Reading and assignments

Read Archive and all three supplied Dunbar poems. Return to the mural story’s two archival records.

Week 4 · First analytical essay and Chapter 1 assessment

Chapter 1 · Close Reading & Literary Analysis

Reading and assignments

Submit a revised 900–1,100-word analysis of memory, representation, and craft; complete Chapter 1 assessments.

Week 5 · Douglass: framing, naming and imposed ignorance

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Read the prefatory material, the introductory letter, and Narrative Chapters I–II in the supplied 1845 edition.

Week 6 · Douglass: institutions, violence and a change of setting

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Read Narrative Chapters III–V and reread Dunbar’s Douglass.

Week 7 · Douglass: literacy, prohibition and contradictory gains

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Read Narrative Chapters VI–VIII; revisit We Wear the Mask and Sympathy.

Week 8 · Douglass: resistance and retrospective turning points

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Read Chapter IX and Chapter X through the confrontation with Covey and the narrator’s reflection on it. Continue X next week.

Week 9 · Douglass: planning, relationships and limitations

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Finish Chapter X, including the attempted escape plan, its failure, and later work circumstances.

Week 10 · Douglass: the ending, Appendix and Chapter 2 assessment

Chapter 2 · Poetry, Performance & Historical Testimony

Reading and assignments

Read all of Chapter XI and the Appendix. Submit the revised complete-narrative essay and Chapter 2 assessments.

Week 11 · Founding rhetoric, identity and Hamlet’s opening

Chapter 3 · Informational Reading & Media

Reading and assignments

Read the complete Declaration of Independence, Du Bois’s Forethought and Chapter I, and Hamlet Act I.

Week 12 · Purpose, procedure and mediated evidence

Chapter 3 · Informational Reading & Media

Reading and assignments

Read the Constitution’s Preamble and original Article I, Sections 1–2; reread Du Bois I; read Hamlet Act II and the museum source packet.

Week 13 · Competing arguments and dramatic tests

Chapter 3 · Informational Reading & Media

Reading and assignments

Read Du Bois Chapter III through the numbered account of Washington’s proposed concessions; read Hamlet Act III.

Week 14 · Synthesis, consequences and Chapter 3 assessment

Chapter 3 · Informational Reading & Media

Reading and assignments

Finish the complete Du Bois Chapter III; read Hamlet Act IV; submit the informational brief and Chapter 3 assessments.

Week 15 · Hamlet’s ending and argument under uncertainty

Chapter 4 · Public Argument, Rhetoric & Competing Accounts

Reading and assignments

Read Hamlet Act V and finish the entire play. Study Public Ideals, Exclusion & Competing Arguments.

Week 16 · Trifles: objects, evidence and competing judgment

Chapter 4 · Public Argument, Rhetoric & Competing Accounts

Reading and assignments

Read the complete one-act Trifles from the supplied Glaspell collection; revisit one Du Bois III passage.

Week 17 · Rhetorical analysis and sustained argument drafts

Chapter 4 · Public Argument, Rhetoric & Competing Accounts

Reading and assignments

Draft the museum policy argument and the Hamlet essay; prepare a 700–900-word rhetorical analysis of one historical text.

Week 18 · Second-quarter portfolio and Chapter 4 assessment

Chapter 4 · Public Argument, Rhetoric & Competing Accounts

Reading and assignments

Submit revised rhetorical analysis, policy argument, and dramatic essay; complete Chapter 4 workshop, review, and quiz.

Week 19 · Midterm, corrections and a new inquiry

Chapter 4 · Public Argument, Rhetoric & Competing Accounts

Reading and assignments

Take the 120-minute Midterm Exam covering Chapters 1–4; keep the sample and final papers unseen.

Week 20 · Research questions and Gatsby’s first chapter

Chapter 5 · Research & Source-Based Writing

Reading and assignments

Read Gatsby Chapter I in full. Develop a bounded research question based on the completed historical texts; Gatsby connections remain provisional.

Week 21 · Source evaluation, synthesis and Gatsby II

Chapter 5 · Research & Source-Based Writing

Reading and assignments

Read Gatsby Chapter II. Locate two credible contextual sources for the historical-text research question and retain exact source details.

Week 22 · Citation, integrity and Gatsby III

Chapter 5 · Research & Source-Based Writing

Reading and assignments

Read Gatsby Chapter III. Prepare attributed notes and a provisional works-cited list for the research project.

Week 23 · Research argument draft and Gatsby IV

Chapter 5 · Research & Source-Based Writing

Reading and assignments

Read Gatsby Chapter IV. Draft a 1,800–2,200-word research-supported argument using the completed historical texts and two verified contextual sources.

Week 24 · Narrative craft, memory and Gatsby V

Chapter 6 · Narrative, Memoir & Revision

Reading and assignments

Read Gatsby Chapter V. Plan and begin a 1,200–1,500-word original narrative or memoir with ethical attribution of remembered experience.

Week 25 · Revision decisions and Gatsby VI

Chapter 6 · Narrative, Memoir & Revision

Reading and assignments

Read Gatsby Chapter VI. Complete the narrative draft and revise the research essay using source and structure feedback.

Week 26 · Research submission, Chapter 5 assessment and Gatsby VII

Chapter 5 · Research & Source-Based Writing

Reading and assignments

Read Gatsby Chapter VII in two or three sittings. Submit the final research essay and Chapter 5 workshop, review, and quiz.

Week 27 · Narrative portfolio, Chapter 6 assessment and Gatsby VIII

Chapter 6 · Narrative, Memoir & Revision

Reading and assignments

Read Gatsby Chapter VIII. Revise and submit the original narrative or memoir and complete Chapter 6 assessment.

Week 28 · Gatsby’s ending and purposeful syntax

Chapter 7 · Language, Style & Conventions

Reading and assignments

Read Gatsby Chapter IX and finish the complete novel. Begin a sixteen-entry language and editing portfolio using your sustained writing.

Week 29 · Conventions, quotation and clarity

Chapter 7 · Language, Style & Conventions

Reading and assignments

Reread brief passages as needed. Add four explained conventions/quotation entries to the language portfolio using your own drafts.

Week 30 · Vocabulary, context and conceptual precision

Chapter 7 · Language, Style & Conventions

Reading and assignments

Add four vocabulary/word-analysis entries. Use difficult words from the assigned readings and your own arguments, verifying meanings in context.

Week 31 · Language variation, register and Chapter 7 assessment

Chapter 7 · Language, Style & Conventions

Reading and assignments

Complete sixteen explained editing/language entries, including five register/variation entries; submit Chapter 7 workshop, review, and quiz.

Week 32 · Comparative identity and seminar preparation

Chapter 8 · Comparative Identity, Discussion & Presentation

Reading and assignments

Study Narrative Judgment, Identity & Comparative Form. Plan a 1,500–1,800-word comparison of two complete works and prepare a text-based seminar.

Week 33 · Seminar, comparative essay and oral presentation

Chapter 8 · Comparative Identity, Discussion & Presentation

Reading and assignments

Hold the seminar, draft the 1,500–1,800-word comparative essay, and prepare a six-minute evidence-based presentation.

Week 34 · Comparative portfolio and Chapter 8 assessment

Chapter 8 · Comparative Identity, Discussion & Presentation

Reading and assignments

Submit the revised comparative essay, deliver the presentation, and complete Chapter 8 workshop, review, and quiz.

Week 35 · Sample examination and targeted teaching

Chapter 8 · Comparative Identity, Discussion & Presentation

Reading and assignments

Take the distinct 180-minute Sample Exam, review the marking criteria after submission, and keep the Final Exam unseen.

Week 36 · Final examination and next-course conference

Chapter 8 · Comparative Identity, Discussion & Presentation

Reading and assignments

Take the 180-minute Final Exam and complete the year-end portfolio, reading, writing, discussion, and next-course conference.

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